Looking for battery appropriation wire mesh

RFQ Description

I would like to propose a different method of treatment for the violins in the white. The reason for this is that there is the possibility that no glue can withstand the phase one treatment that we employ. Our phase one treatment takes 2 months and we have not had the time to test it with Titebond III glue. This procedure takes more time and we expect to compensate you appropriately.We would supply you with a bag of sawdust that is specially treated. You would fashion the wooden components of the violin including deep flamed maple and a one piece top and back. Five years of drying time would be sufficient. The pieces would be fashioned by machine with the fine finishing done by hand. Your best luthier would provide quality control.The term cheesecloth as used here means a cotton fabric that has the appearance of a net, i.e. having holes between the threads. It is very light in weight. When the violin wood components were finished, you would cut a piece of cheesecloth large enough to cover each piece with about 2 inches extra to overlap. All sides of each piece of the wood would be covered along with an extra two inches to provide a seal. We will provide you with a video to illustrate this. Obtain a large COARSE sieve. Spread out each piece of cheesecloth. Put several handfuls of the sawdust in the sieve. Place the filled sieve over the cheesecloth. Put a thin plastic glove over your dominant hand -the hand that you use the most. Stir the sawdust in the sieve while pressing the sawdust through the holes in the sieve using the gloved dominant hand. The approximate result should be that the cheesecloth should be covered with a 1/4 thick layer of treated sawdust.Obtain a small hand water sprayer. Fill it with distilled water and add 4 drops of honey. Shake it well to mix the water with the honey. Spray the sawdust with a fine mist of water so that it is damp but not wet. Wrap each piece of wood with the cheesecloth so that the sawdust is forced to cling to all parts of all surfaces of each of the violin parts. Place the parts of each violin in a plastic bag that has no odor.Attach a large label to each plastic bag. The label should contain the source, the combined weight before sawdust in grams, the date, and other pertinent information. Seal the opening of the plastic bag very tightly with masking or scotch tape. Apply a small amount of Vaseline to the inside of the opening of the bag to close off air passages so that the bag is air-tight and no moisture can escape. Fill a zip-lock sandwich bag with decorative dark brown highest quality accessories including pegs, nut, French bridge, strings, tailpiece, and end button which have been previously fitted for this violin.When this has dried apply a coat of amber oil varnish. After this has dried, apply a coat of red-brown oil varnish. When dry you can sand places and the amber will show through for an antique finish. Apply some black varnish around the f-holes in a rand